Much admired for their mighty strength and noble heart， elephants are exalted in this captivating coffee table by George Obeng. Ghanaians consider the pachyderms to be a symbol of power. Elephants are frequently present in a variety of adornments and logos， including one of Ghana's political parties. The table stands on three sturdy trunks， exquisitely hand-carved from sese wood. Finally， the table is stained with polish to showcase Obeng's refined detailed work.

Product Features:

• Weight: 4.9 lbs
• Dimension :15.75" H x 14.5" W x 14.5" D
• Color: Brown
• Material: Sese wood
• Table stands on three sturdy trunks
• Living room furniture has legs in the shape of elephant heads
• Finish: Wood
• Made in Ghana.

Story Behind the Art: 

George Obeng was born on March 30， 1952. His carvings are realized primarily in ebony wood， as the material is endowed with innate strength and beauty that requires no chemical enhancement. Mahogany， odum (oak)， sese， and odanta are other woods he employs， although these need to be treated forpreservation. Obeng prefers to leave his ebony carvings unpolished， he says， Because the beauty and natural sheen of the wood in nature is left on perpetual display.The artist is motivated to carve by one principal theme: Recording the events of his time. As an animal rights activist and a committed vegetarian， wildlife plays an integral role in his work， such as the tenderness of the butterfly， the mischief of the monkey， the slowness of the snail， and the vivacious character of the bird. Each of his carvings is a poignant reminder of this critical juncture in the preservation of the global environment and communal ecology.Themes of the Third World also inspire Obeng's art. Depictions of female figures， often carrying children and heavy baskets simultaneously; comments on the cyclical problem of social confusion and irresolution， which extend into the endemic nature of inadequate and/or nonexistent development of facilities like health care， education， food， security. He is an observer of his time， struggling to represent the myriad unheard voices that surround him.But for his stalwart determination， Obeng would not be the carver he is today. He had been ordered by an elder relative to take up typesetting and printing， and from 1967 to 1970 he was apprenticed to a master printer， having completed Middle School Education with a certificate in 1967. However， he defied his family and undertook part time studies in sculpture from 1970 to 71. Between 1972 and 1974 he took a course in sculpture at the School of Art and then a proficiency course in sculpture at the university College of Art. He worked as Assistant Cultural Officer with the Arts Council of Ghana while practicing painting between 1971 and 1986. Obeng was responsible for exhibitions， restorations， commission， and training workshops for carvers. As an apprentice for Saka Acquaye， a renowned sculptor， he was able to participate in exhibitions in Ghana， Oakland， Britain， Bulgaria， Romania， and China， along with many other African countries.

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